Wanted to Stay: THIS IS WHERE I LEAVE YOU

Friday, September 19, 2014


Are you closer to your siblings now that everyone's an adult, or was the bond tighter as children?

I have three sisters and a brother, and up until recently, when one of my sisters and I decided to move in together to share expenses, our relationships mainly consisted of holiday and birthday gatherings of G rated catch ups on life. Nothing too dramatic, nothing too revealing and God, it's been ages since any of us has brought anyone home to meet the family. A movie about our sibling dynamics would not be very interesting, on the surface...

In This is Where I Leave You, novelist/screenwriter Jonathan Tropper takes a family full of surface relationships and in 7 days of Sitting Shiva for their deceased father opens up all the underbelly, messy, loving, crazy dynamics of the Altman family - The movie opens and focuses on Judd (Jason Bateman), whose life just recently hit the skids when he finds his wife in bed with his boss on her birthday.

Jason Bateman is just one of those actors with a great face, you're always interested in what he's saying and more importantly, not saying because his expressions are so sardonic in the most earnest way.

Judd's closest sibling relationship is with his sister Wendy (Tina Fey) who has a baby and a 2 year old, who's found pure joy in potty training alfresco. Her husband is distant and all business, or is it that she's distant, as Wendy is still pining for the lost love of the boy next door, Horry (Timothy Olyphant) due to a life altering accident in their teens.

THIS IS WHERE I LEAVE YOU
Copyright: © 2014 WARNER BROS. ENTERTAINMENT INC.
Photo Credit: Jessica Miglio Caption: (L-r) TINA FEY as Wendy Altman and TIMOTHY OLYPHANT as Horry Callen 








The eldest Paul (Corey Stoll) classic oldest sibling, carrying around that need to get everything right as an example to the others, while dictating what's to be, and really doing nothing but alienating everyone and making himself miserable.

THIS IS WHERE I LEAVE YOU
Copyright: © 2014 WARNER BROS. ENTERTAINMENT INC.
Photo Credit: Jessica Miglio Caption: (L-r) ADAM DRIVER as Phillip Altman and CONNIE BRITTON as Tracy Sullivan

The youngest, Phillip (Adam Driver) again classic - irresponsible and inappropriate. There's a part in the movie where his new (older) love interest (Connie Britton) says something about Phillip's problems stemming from the amount of slack the family keeps rolling out for him to play in.

The matriarch is played phenomenally by Jane Fonda, a psychologist who made a successful career out of using her children as test subjects in her clinical best sellers.  Yet at the same time, she's very loving and accepting of each one of her children.

THIS IS WHERE I LEAVE YOU
Copyright: © 2014 WARNER BROS. ENTERTAINMENT INC.
Photo Credit: Jessica Miglio  Caption: JANE FONDA as Hilary Altman








I am just amazed at how good Jane Fonda looks, it's not about the plastic surgery, it's about the fact that she exudes vibrancy, health, stylishness, and sex appeal, she's ageless!

Bottom line - Director Shawn Levy (Night at The Museum, Date Night) allows This is Where I Leave You to hit that blended comedy/drama thing smack in the middle, where it should be, including a slight pallor to the coloring of the film.  Each scene is entertaining without trying to be too heartrending or too hilarious.  The next day, I found myself thinking about the characters and wishing it was a TV show (similar to, but far less annoying than "Brothers & Sisters") Or that I was reading the book, so I could revisit with the Altman's again.

This Is Where I Leave You Opens September 19th

T &T's LAMB Score: 3.5 Outta 5  

Around the Web

THIS IS WHERE I LEAVE YOU
Copyright: © 2014 WARNER BROS. ENTERTAINMENT INC.
Photo Credit: Jessica Miglio  PicturesCaption: (L-r) TINA FEY as Wendy Altman, COREY STOLL as Paul Altman, JANE FONDA as Hilary Altman, JASON BATEMAN as Judd Altman and ADAM DRIVER as Phillip Altman


"The stuff that made me want to be a screenwriter (Jonathan Tropper) was that warts-and-all, slightly heightened but still grounded storytelling about family and relationships," said Tropper, a divorced father of three. "When those movies work — like 'Terms of Endearment,' 'Jerry Maguire,' 'Annie Hall' — they're the ones you never forget."...

"I have this ridiculously dog-eared copy of the novel," Levy said. "Every time there was a line of dialogue I thought was awesome, I underlined it to make sure it was in the script. Every time there was a piece of description I thought was lovely, I highlighted it and made sure it was in the production design or cinematography."... READ MORE Josh Rottenberg LA Times

While You're Here

Check out the Soundtrack for "This Is Where I Leave You" 



Comments are welcome on our facebook page for the post.  I'll ask the question from the opening again - Are you closer to your siblings now that everyone's an adult, or was the bond tighter as children?


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NO GOOD DEED - Surprisingly Goes Unpunished

Tuesday, September 16, 2014

Box Office: "No Good Deed" Tops "Dolphin Tale 2"

With $24.5 Million


The Sony/Screen Gems thriller (No Good Deed) took in $24.5 million from 2,175 theaters, easily beating expectations. Going into the weekend, analysts expected the home invasion thriller to hover around $20 million. Females made up the bulk of the audience, taking up 60% of the seats in theaters, and 41% of ticket-buyers were under 30 years old...READ MORE Variety


These numbers make me happy because Taraji P. Henson and Idris Elba are very talented actors, plus I admire Will Packer's success as a Producer and most importantly, seeing black actors in mainstream movies that have nothing to do with black themes or issues means so, so much to me!!!

I have a friend who likes to quiz me on my black movie knowledge and I do fail miserably, but it's because a number of movies featuring black actors, don't have an appeal for me, a girl who grew up watching movie musicals, loves Sci-Fi/Fantasy, ghost stories and Blockbuster action movies - something like For Colored Girls or even a comedy like Friday, is a far cry from my preferred genres.


However, I was glad to get behind an action/thriller where an upper middle class black family Terri (Henson) and her husband (Henry Simmons) are living a good life in a beautifully decorated home, the husband goes out of town leaving Terri with the kids, during a storm, planning a girl's night with her best friend Meg, (Leslie Bibb from that show I liked "GCB"), only an unexpected, handsome, well-built stranger knocks on the door, claiming to be a nearby neighbor who just had a car accident in the rain.

The studio cancelled the press preview screening for No Good Deed, for fear the ending would leak out, so in support of this movie, I purchased a full-price ticket! But now what do I do about writing a review?  Despite the positives stated above, the truth of the matter is - Director Sam Miller's No Good Deed,  is no good. It's badly written, cliched, boring and down right stupid at times and the so called "twist" at the end is not worth the build up.

There's one scene between Meg (Bibb) & Colin (Elba) that has a psychological edge to it, where I thought, now this is getting good, until she goes and does the regular ridiculous things all secondary characters do to get killed in movies, she confronts him with her suspicions, and on top of that, turns her back - Predictable!

Taraji P. Henson and Will Packer

Obviously, the only goal here was to put a black female in a role that would typically feature a white protagonist hitting her assailant over the head, running, and not taking the gun type thriller; and while I applaud that wholeheartedly, I just wish it had also been a movie filled with psychological suspense, where you found some sympathy for Colin, with more time for Terri to be seduced by him and therefore, not only later be in danger, but emotionally betrayed.  I would have loved a movie closer to Labor Day where even though you knew Josh Brolin's character was an escaped prisoner, you went back and forth on whether or not to trust him.

Oh well, as we get more and more used to faces of all colors & hues dominate the box office, we can then start expecting better and better scripts.

T &T's LAMB Score: 2.5 outta 5


Comments are welcome on our facebook page for the post. Have you ever trusted a stranger, to good or bad results because he/she was attractive?

While You're Here

ABC's new family comedy, "black-ish” falls right in line with this post.

 Premiering on September 24th at 9:30pm
takes a fun yet bold look at one man's determination to establish a sense of cultural identity for his family.

The series stars Anthony Anderson, Tracee Ellis Ross and special guest star Laurence Fishburne. "

Created by Kenya Barris , Executive-produced by Barris, Larry Wilmore, Anthony Anderson, Laurence Fishburne, Helen Sugland and E. Brian Dobbins.



"black-ish" was The series is produced by ABC Studios.


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is about discovering what I find pleasing in screening & eating - in case you missed it, the name is a play on Tinseltown using the Tines of a Fork.

Feel free to send me info on a film or new restaurant you'd like me to highlight.
-tinseltine@gmail.com


Will there ever be a cap on movie prices?

Will we one day pay $20 a pop?

Why don't we pay on a scale?

A crap movie like everything Adam Sandler has ever done should cost about $4.50.
Big action movies like"Lord of the Rings", "Iron Man," "Transformers" are worth $10.
Woody Allen movie or something like "Silver Linings Playbook" $6-$7.
A chick flick or light comedy $5.75 and most Indie Films $5.25.

You could even do it by seasons - all summer block busters from May to August - $10
Sept - November 15th $3.50 - $4
Back to $10 for Thanksgiving and Christmas etc...

Or you can do it by A Actors ($9 - $10), B Actors ($6 - $7) TV actors on the big screen ($3.50 - $4)

Surely I'm not the first person to realize this makes sense. Has it been voted on in the Motion Picture Industry and then vetoed? If so, why?

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