PhillySpotlight: AND WE EVOLVE - Liz Funk Interview

Thursday, March 15, 2018

And We Evolve Vintage Fashion Philadelphia

Tinsel & Tine's Spotlight on Philly's “revolved clothing” Shop

Interview with LIZ FUNK

Proprietor/Fashionista/Business Woman



by Le Anne Lindsay, Editor

Diane Von Furstenberg once said, “I didn’t always know what I wanted to do, but I knew the woman I wanted to be.” Like DVF, most of us are still trying to figure out what we want to do. But what if we had the tools, the mindset, and the community support to experiment with how we want to show up in the world? Welcome to And We Evolve - Liz Funk.

If you're a long-time Tinsel & Tine reader you may have seen me post stuff about PHLBloggers and The Blog Connect Annual Conference (April 28-29, 2018) it's great to be in the trenches with other bloggers, but it's also a great way to get to know about new businesses and happenings in the city, as companies reach out to us with invites and offers.  Which is how I virtually met Liz Funk of And We Evolve a new sustainable fashion company & community in Philadelphia with a showroom about to have its official launch March 31, 2018 and an online women's vintage fashion shopping site up and running!

T&T: I love how you came up with an alternate term for vintage or thrift shopping "Revolved" it's a wonderful spin. How did the term come about? 

Interview with Liz Funk of And We Evolve
 LF: Thank you! One of main goals with starting And We Evolve is to bring the many benefits of shopping secondhand to a larger audience and give secondhand an upscale rebrand. Frequently, when people think of preowned clothing, they think of musty thrift stores, or all the clothes jammed on the racks at Goodwill, or perhaps even a negative experience they had with Buffalo Exchange or Poshmark. So, we wanted to create a new category: #revolved clothing. At And We Evolve, we only sell new or like-new clothes (and, of course, vintage clothes), and we really curate what we put on our racks so everything is unique and special or intensely useful. We sell brands from “Banana Republic and up,” meaning Banana Republic and designers that would be considered a step up from Banana Republic. We want people shopping to feel like our collection is only the gems. When someone wears #revolved clothing, we want them to feel that #revolved is a badge of honor, and that this item is especially special. And that’s true! What’s so cool about #revolved clothing is that it adds such a uniqueness to your wardrobe.

T&T: Although the majority of shopping is done on the And We Evolve website (, women can visit the Philly showroom by appointment...
1) How long did you have the online store before adding the showroom at the Loom? 
2) Are you a Philly Native? If so, where did you grow up? If not, what brought you to Philly? 

LF: We soft-launched the company online November 1st. We moved into the Loom September 1st, and we really only opened our doors to the public a few weeks ago, for our Galentine’s Day party. It took a really long time to sort our inventory, categorize everything, figure out what racks we wanted to use, and get the space into the shape. Starting Saturday, March 3rd, we’re open to the public every Saturday from 12pm-5pm. With our Official Launch Party & Membership Kickoff happening on on March 31st.

I’m not a Philly native, no. I grew up in upstate New York, in Albany. I went to college in New York City and spent most of my twenties in New York. I had visited Philadelphia a number of times in fall 2016 and I really, really liked it. So when I started thinking about moving last spring, with “higher quality of life” as my main criterion, Philadelphia seemed like a great fit. I took a leap of faith and I moved here in June last year, and I am absolutely loving it. This is such a warm, vibrant city, full of people who are so creative and driven. I’m a huge fan.

Visit the And We Evolve Showroom in Port Richmond Philadelphia
T&T: Obviously, you have a love of fashion and clothes, is this a passion that became a business, or did you study fashion and merchandising?

LF: This is a passion that became a business. My prior career was as a freelance writer and speaker. I wrote about entrepreneurship, women’s issues, career happiness, and mental health, and I spoke at colleges about anxiety management for high-achievers. I also did a lot of marketing consulting for early stage startup companies.

LF cont: I’ve always had an interest in secondhand. I remember the first thing I ever bought secondhand, a black strapless dress from a thrift shop in the East Village. It was 2007--I was a junior in college--and the dress was $2. It was thrilling. I was hooked. I shopped secondhand as a hobby from then on, and I developed an interest in having a secondhand store or an “upcycled fashion” store after college. Around the age of 26, I stopped buying things new from stores, and built my wardrobe from vintage shops, secondhand stores, clothing swaps, and estate sales. I always wanted to start this company, but I was always waiting for the idea to gel in my head or waiting to feel ready. Realistically, I was never going to feel ready--I just needed to do it. Moving to Philadelphia, meeting my business partner Alisha, learning that Alisha also wanted to start a secondhand clothing company-- all these forces came together in a very motivating way.

T&T: Tell me about your partner and partnership

Alisha Ebling, co-proprietor of And We Evolve Vintage Clothing
LF: I co-own the company with Alisha Ebling, who is a writer / grantwriter and an ardent environmentalist: we met at a Girl Develop It class in June of 2017. (Thanks, Girl Develop It!)

LF cont : If I’ve learned anything so far from And We Evolve, it’s about how important the buddy system is. In our careers, we’re generally charting our path on our own. As a freelancer and self-employed person, I worked pretty independently and made virtually all the choices around my work on my own. I can’t overstate how valuable and comforting it is to have a partner. You have someone to bounce around ideas, you have an accountability partner, and you have someone by your side during all the peaks and valleys of entrepreneurship.

Alisha is very well educated on how damaging fashion production is to the planet. She’s also one of those people who is extremely passionate about a topic and has a distinct viewpoint, but she speaks about environmentalism in a way that is so gentle and articulate and fact-based, you’re leaning in and ready to agree with her, without her telling you about any of the gory stuff that’s happening to our planet or to the meat we eat. - And We Evolve can be a stepping stone for women weaning themselves off of fast fashion. If someone learns about what goes on behind the scenes at H&M, or Zara, or really any major apparel company, and they want to stop shopping at those stores and creating demand for these retailers’ products, we’re here. Our message around fast fashion is: Wear revolved clothes so there is less of a need for retailers to make new clothes. It’s okay to wear Zara and H&M-- as long as it’s recycled Zara. As your budget allows, start to incorporate sustainably and ethically-made pieces into your wardrobe. Or, just keep shopping revolved, or supplementing your wardrobe with revolved pieces. 

And We Evolve vintage clothing membership

T&T: Tell me more about the social & female empowerment aspect of And We Evolve

LF : Together, Alisha and I have a very strong position on empowering women. We want to help women be intentional around how they show up in the world. Some women express themselves through their clothes. Some women express how they want to feel through their clothes. Some women want to feel better about themselves, and they use clothes as a tool to raise their vibration. Or, if someone doesn’t really care about their clothes or their “look,” they can be intentional in the sense that they can make socially-conscious, informed decisions about where they shop.

Plus Size Designer Fashions in Philadelphia

T&T: I was glad to see the clothing seems to range from X small to XX Large. Can you tell us how you come by most of the fashions?

LF: I’m a size 18, and making preowned and vintage clothing available to plus-size women was a given when we were starting the company. We have full inventory (i.e. we can create multiple full outfits for various occasions from our inventory) in sizes ranging from 00 to 20.

LF cont:The vast majority of clothing is donated to us by friends and people in our professional network; virtually everyone has clothing that they’ve barely worn or that no longer fits them, that they’re eager to part with. We’ve been really blessed that so many people were eager to clean out their closets to help us build our inventory and our first collection. We also acquire vintage and high-end designer items from going to estate sales on the Main Line. We are actively looking for more plus-sized clothing, especially in aspirational brands.

Designer Vintage purses, shoes, hats and coats in Philly

T&T: "Phantom Thread" was one of my favorite movies of 2017, all those post 1950 gowns are sheer dress porn! So glad Mark Bridges won the Oscar. Do you have a favorite movie based on the costumes?

Costume favorite Todd Haynes "Carol"

 LF: I love the Todd Haynes movie "Carol", starring Cate Blanchett and Rooney Mara. It’s set in the 1950’s, and Cate Blanchett is a well-to-do woman who wears stunning 1950’s outfits: dresses with cinched waists, high-waisted skirts with full skirts, brooches, scarves, and incredible coats. I am a coat gal-- I really appreciate a dramatic, unusual coat. Carol is coat porn.

T&T: That's so great that you say that, I wrote a post leading up to the Oscars on all the nominated Costume designers and in my opening paragraph I talk about not liking the movie "Carol" except for the fact that the fashion was so memorable!

T&T: What are your favorite restaurants, bars, or coffee shops near your showroom in Port Richmond? (The LOOM 3245 Amber Street, Loft 5-4-C, Phila 19134) 

LF: To be honest, when we’re at the studio, we’re go-go-go. When we’re done for the day, we tend to retreat back to our neighborhoods. I live in Fairmount, and I have a number of favorite spots. Kansai on 19th and Spring Garden is really, really good sushi. Jack’s Firehouse on Fairmount has really good brunch. And naturally, I love the OCF Coffeehouse right across from the Penitentiary.

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Movies Blog Post: ANNUAL OSCAR ROUNDUP 2018

Wednesday, March 7, 2018

90th Academy Awards Recap and Highlights

Tinsel & Tine Recaps & Archives
The 90th Annual Academy Awards

By Le Anne Lindsay, Editor

(Note: embedded social media will not be visible to those receiving  Tinsel & Tine via RSS Feed)


Jimmy Kimmel hosts the Oscars 2nd year How did he do?

Jimmy Kimmel handled his monologue with the kid gloves type humor necessary in this very sensitive climate. Pandering to the #metoo #timesup and inclusion movement in a way that wasn't too cloying. I bet he and the Academy producers were wonderfully surprised the whole Jet Ski bit went over better than they would have imagined - at the start of the show, Kimmel offered up a Jet Ski (worth almost $18,000) and a trip to Lake Havasu in Arizona as a prize for the Oscar winner who gave the shortest acceptance speech, an incentive for keeping their statements brief. "I will be timing you. I have a stopwatch," Kimmel said and behind him, Helen Mirren as the most elegant Price Is Right girl ever. As winners would come up to collect their gold statue, they'd either mention they'd try to stay in the running for the Jet Ski or announce they know there's no way they'll be a contender. At the end of the night, Phantom Thread costume designer Mark Bridges was the big Jet Ski winner.


As always, I started shopping and cooking too late on Sunday to truly be ready and set to watch the E Red Carpet at 5pm.  In fact, at 5:30pm I pulled out my ice trays to find them empty! And had to make a run to the closest gas station to grab a bag of ice.  This year, I tried a This Pinterest Recipe, for Sweet Potato Shepherd's Pie but used regular ground beef, where the recipe calls for Bison.  It came out pretty good, I added carrots, colored peppers and a little bacon to my beef mixture.  The problem was, my sweet potatoes were still a little hard in places even after I pre-cooked and whipped them.

And per usual here's our red carpet picnic snacks & cocktails
Oscar Party Food


Every year there's a trending color or style on the red carpet. I'm sure the stylists somehow make it known and agree, but is it an actual memo?  Last year so many gowns displayed a plunging neckline, one year it was varying shades of yellow, this year was crisp and clean white attire.

White Trend on the Red Carpet 2018

My favorite white look was my idol, Jane Fonda, flawless as always. It was terrific seeing both she and Helen Mirren my other ageless idol, presenting on stage together. Margot Robbie's dress was okay. Such a shame she really didn't shine at all this awards season, not just on the red carpet, but the buzz around her was so low for someone nominated for Best Actress again and again for her role as figure skater Tonya Harding.  Timothée Chalamet simply should have worn a white shoe, maybe black laces if you wanted some contrast, but these black loafers were not the right choice.

Mary J Blige and Laura Dern in White Oscars 2018

I liked both Mary J and Laura Dern's white looks, except I wish Dern's didn't have that strange seam down the front.

My Picks for Best Dressed
Tinsel & Tine's Choice for Best Red Carpet Look Oscars 2018
Gina Rodriguez (Annihilation) in a stunning Zuhair Murad gown and 
Betty Gabriel (Get Out) in a bluish green gown from Tony Ward's Fall 2017 Couture collection.

My Picks for Worst Dressed

Emily Blunt in Schiaparelli haute Couture Oscars Red Carpet 2018

Emily Blunt in Schiaparelli Haute Couture was trying for whimsical fairytale, but succeed in presenting a serious mess.

Tiffany Haddish and Maya Rudolph to Host Oscars 91

Tiffany Haddish and Maya Rudolph were a hoot presenting together, twitter starting asking for these two to host next year. But what was up with Rudolph's choice of gown, 
does she have eczema over half her body?


Oscar Winner 1962 Rita Moreno wearing Same Oscar Dress in 2018

Many of us were feeling amazed that Rita Moreno could still wear the gown she wore to accept the Best Supporting Oscar in 1962 for West Side Story! But I didn't understand such mixed reviews about the movie clips celebrating 90 years of movies as montages, viewers seemed to either be enthralled with them or felt they were a complete waste of time.


Oscar Ballot for the 90th Academy Awards

I got 11 categories out of the 24 correct. I could have gotten 14 because I knew Frances McDormand & Sam Rockwell “Three Billboards outside Ebbing, Missouri” along with Allison Janney, “I, Tonya" would win as they'd been winning all Awards season. I voted against them because as good as they were in these roles they were really over the top and mainly comedic characters. Where Willem Dafoe "The Florida Project", Richard Jenkins "The Shape of Water", Laurie Metcalf "Lady Bird" & Mary J. Blige "Mudbound" turned in these wonderfully subtle performances, they weren’t flashy, but in my opinion more difficult and more Oscar worthy.

Definition of Inclusion Rider Oscars 2018

That being said, I did appreciate Frances McDormand's acceptance speech - "I have two words to leave with you tonight, ladies and gentlemen: "INCLUSION RIDER."  For anyone who hasn’t had a chance to Google this yet, It's a stipulation that actors and actresses can ask (or demand) to have inserted into their contracts, which would require a certain level of diversity among a film's cast and crew.

Big Congrats to Jordan Peele on his Best Original Screenplay Oscar

For best original song I thought it was going to be the self-empowerment power house “This is Me” from "The Greatest Showman", it was even the anthem during the Olympics. But I'm happy for Songwriter Robert Lopez who is now the first person to become a “double EGOT” with his Oscar win for co-writing (with his wife, Kristen Anderson-Lopez) “Remember Me” from Pixar’s animated film “Coco.” He has an Oscar for “Let It Go” from “Frozen, two Daytime Emmys (for songs in the children’s TV series “Wonder Pets”), Three Tonys (score for “Avenue Q,” book and score for “Book of Mormon”) and three Grammys (two for “Frozen” and one for “Book of Mormon”).

The Shape of Water Best Picture 90th Academy Awards
Click HERE for Tinsel & Tine Review

Think I'll wrap this up and skip to the biggest awards of the night - Best Director and Best Picture. As I predicted and hoped THE SHAPE OF WATER is now a Best Picture winner along with its writer/director Guillermo Del Toro - Of the 90 films awarded Best Picture, 64 now have also been awarded Best Director. The last was the 87th Academy Awards when Alejandro G. Iñárritu won Best Director for "Birdman" which won Best Picture. Before that, at the 84th Academy Awards Michel Hazanavicius won Best Director for "The Artist" which won Best Picture. So it seems to skips a year or two and the last 3 directors to win this distinction have been foreign born.

As much as I enjoyed "The Shape of Water", which I chose as Best of 2017, I do kinda think it won mainly because it was the safest choice that fell in line with the sentiments of the moment, among the nominations - it satisfies the whole inclusion movement, since del Toro is Mexican, it’s has a female lead with a handicap, you’ve got your bases covered there. Much of the film is not just a love story, but a love letter to the film industry. And the Academy usually likes to reward those with at least 25 years in the biz.

Click HERE for a list of all the Winners. CONGRATULATIONS!


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Monday, February 26, 2018

Costume Designers Nominated for Oscars 2018

Tinsel & Tine's Look at



By Le Anne Lindsay, Editor

I wrote this for the LAMB (Large Ass Movie Blogging Association) segment "The LAMB Devours the OSCARS – Costume Design Nominees"

When it comes to the artistic elements instrumental in rounding out and truly creating the feel of a movie or film, like production design, cinematography and music, what captures my attention more often than the others is Costume Design. I was not a fan of Carol by Todd Haynes, yet I remember the color palate of each dress and outfit worn by Cate Blanchett & Rooney Mara, and those fabulous furs. I thought Charlize Theron’s Atomic Blonde probably could have gone straight to video, except for the fact that she sported the coolest, mod spy outfits and coats in every scene. Say what you will about Eddie Redmayne in The Danish Girl, but my God, those flapper style dresses in the second half of the movie are superb! And I still get chills every time I see Julia Roberts in that stunning red dress emerging from the elevator with Richard Gere.

Costume Designer Jacqueline Durran is honored with double nominations this year, her 5th & 6th for Beauty and the Beast and Darkest Hour. Durran was previously nominated for: Pride & Prejudice (2005), Atonement (2007) Mr. Turner (2014) & Anna Karenina (2012) for which she won the Academy Award.

Interview with Costume Designer Jacqueline Durran

BEAUTY AND THE BEAST: In creating the costumes for Beauty and the Beast, Jacqueline Durran was tasked with staying true to the original animation, trying to reflect 18th century France, and maintaining the, oh so important, enchanting magic of Disney. I think most of us who were big fans of the animated Beauty and the Beast feel please with the live version of Belle's ball gown. Durran said it was quite difficult to find the exact right yellow that not only looked right to the eye, but filmed the same color under the lights. It also needed to move freely and leave Emma Watson unencumbered. For the Beast (Dan Stevens), the challenge was his size, having to construct clothes to fit this body that wasn’t human. For a long time she didn't know what shape he was going to be or how he was going to move and how the costumes needed to work to enable him to move. I found it interesting that the concept for the Beasts costume during "The Tale As Old As Time" dance was to imagine the objects of the castle created his suit for him because they wanted him to look attractive to Belle. So rather than embroidered gold accents, Durran decided all accents should be painted on, as if Plumette had painted it himself.

Interview with Costume Designer Jacqueline Durran Darkest Hour

DARKEST HOUR: A lot has been made about Best actor nominee Gary Oldman's transformation to become Winston Churchill. Jacqueline Durran had a hand in that, working alongside director Joe Wright, special effects artist Kazuhiro Tsuji and Oldman himself; they spent six months experimenting and developing the various components that made up the character, before they even began filming. One of Churchill’s most famous quotes is ‘my tastes are simple: I am easily satisfied with the best’ this was certainly true when it came to his wardrobe - having his clothes made by the best tailors on Savile Row in London, which became the starting point for Durran, working with the bespoke tailors Henry Poole & Co. who still offer the chalk stripe fabric that was made especially for the prime minister – it is even still woven in the same Fox Brothers mill. Turnbull & Asser was called on to make shirts and that familiar spotty bow tie. There’s a scene in Darkest Hour where a wall of Churchill’s hats are displayed and he’s selecting which style to wear, those hats are from Lock & Co Hatters of 6 St. James’s Street, which made Churchill’s vast selection of headwear. Winston Churchill was also synonymous with smoking cigars, Oldman visited Churchill’s favorite, the James J. Fox cigar shop to research this aspect of the character as well. To this day, one of the customary cigar sizes for Cuban cigars is called ‘Churchill’ a long seven-inches and thick 47 ring gauge.

PHILLY READERS - SEE ALL THE OSCAR NOMINATED SHORTS! T&T Followers and That's Show Biz with Chuck Darrow listeners receive 20% off with discount code: WWDB

Interview with Costume Designer Mark Bridges Phantom Thread

PHANTOM THREAD takes place in 1950’s London and is about a very fussy fashion designer named Reynolds Woodcock, played by Daniel Day-Lewis, who despite being a royal pain in the pin cushion, is a genius at his craft. The very nature of the movie is meant to evoke oohs and ahhhs of dress porn perfection. Costume Designer Mark Bridges normally works on more contemporary movies like The Fifty Shades trilogy and Silver Linings Playbook. However, for this film he got to create over 50 garments, all constructed from scratch in the traditional couture manner – mostly beautiful post war, high fashion dresses. He also created a large wardrobe of things for Daniel Day Lewis and just let the actor put together what he wanted to wear from that wardrobe; because he felt the super method actor, would prefer this for getting into character. Which I imagine he did, as I also read before the film’s shoot, Day-Lewis spent months learning traditional dressmaking techniques, by attending an apprenticeship in the costume department at the New York City Ballet. Where he painstakingly re-created a 1950s Balenciaga gown — using his wife, writer/filmmaker Rebecca Miller, as a model.

Interview with Costume Designer Luis Sequeira The Shape of Water

THE SHAPE OF WATER – when two of your main characters are janitors and one wears gills, where do you start with costumes? For Costume Designer Luis Sequeira it was to get inspired by fabrics, traveling to New York, Philadelphia, Montreal, Toronto, on vintage fabric shopping trips. Mixing textures and patterns to bring depth to the costumes despite the drab color palette needed to depict the Cold War era time period and the depressing, brown and gray lab where “The Asset” is kept. Seqeira did get to have a little fun with Sally Hawkins character Elisa when it came to her foot wear. Despite her meager earnings, he felt that the only thing Elisa really spent a lot of money on were shoes. So he gave her a little bit of a shoe fetish. And then there’s the musical dream sequence, if Elisa’s fantasy reminded you of Ginger Rogers in “Top Hat” that was intentional. Only Sequeira didn’t want to recreate Roger’s exact dress, just pay homage, while creating something unique for Hawkins. He explains, “The dress itself had four layers. We started out with a lace overlay, with a chiffon, then underneath, there were sequins that kind of emulated the creature’s lights. Then we put the crystals over top, so as she moved—like he moved—you would see this shimmering body.

OSCAR TRIVIA: The Last time a movie with both the lead actor and actress nominated both won the Academy Award: Jack Nicholson and Helen Hunt for "As Good as It Gets" (1997).

Interview with Costume Designer Consolata Boyle Victoria & Abdul

VICTORIA AND ABDUL - Director Stephen Frears examines an unexpected friendship between the titular monarch Queen Victoria (Judi Dench) and a servant, Abdul Karim (Ali Fazal) who travels from British-ruled India to England for the Queen's Golden Jubilee in 1887 and remains in England as the Queen's faithful "Munshi" until the time of her death, spanning 14 years. You would think the fact that the movie takes place in the Victorian era would easily set the style of costume, but the Victorian era goes from early 1830's to early 1900's, fashion changes quite a bit in 70 years; fashions change quite a bit in 14 years. Costume Designer Consolata Boyle began with the Jubilee which had been well documented so everything had to be immaculately researched and correct for every costume in the room. Queen Victoria was in a period of mourning at the start of the film, so Judy Dench is dressed in a lot of black, however, Victoria's clothes were very heavily decorated, so that helped to give the gowns texture. Boyle also had access to many of Queen Victoria's actual gowns, as in the years that followed her death her garments were archived and kept hidden from daylight. Many are on display in London museums. As the story evolves and the Queen's friendship with Abdul deepens, Boyle was able to creep in elements of color: black-brown, grey-black into the Queen's wardrobe. For Abdul, you see in the movie when he and the other servant arrive, they are given costumes concocted by what an English tailor would imagine a servant to royalty in India might wear. But as he's elevated to the position of Munshi, Consolata was able to introduce clothing more genuinely Indian and exotic.

I think all four designers did a magnificent job, as costumes are so important to the development of a character. I do however, believe the Oscar will go to Mark Bridges due to the nature of Phantom Thread being set in the fashion industry. But we’ll see how it goes down on March 4th!

Large Ass Movie Blogging

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LAMB writers Devour other Oscar categories

on "That's Show Biz with Chuck Darrow"

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Check out Tinsel & Tine's RECAP of last years 89th Annual Academy Awards
Oscars Blog Post


Tinsel & Tine (Reel & Dine): Philly Film, Food & Events Blog


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Featured Post

26th Annual PHILADELPHIA FILM FESTIVAL Coverage (Oct 19-29, 2017)

Tinsel & Tine's Look at : The 26th Annual PHILADELPHIA Film Festival By Le Anne Lindsay, Editor POST UPDATE #PFF26 DAY 1...

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Food n Film: BURNT
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Food n Film: CHEF

Food n Film: CHEF
Much of the movie centers around the father/son relationship, and how much they learn from each other. But the real star of the film is all the food preparation, every other scene made me groan with want of everything up on that screen! Particularly the perfectly roasted and rubbed brisket, the crispy fat of the pork belly, sizzling bacon and the much ballyhooed Chocolate Lava Cake. READ POST


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What Jonathan Gold, Los Angeles Times food critic/writer, has done for food writing journalism and for the restaurants that he loves, the movie, City of Gold has done for Jonathan Gold and Los Angeles and its surrounding environs – it has planted taco covered kisses on them... READ POST

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Food n Film: CHOCOLAT
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...young Hassan, a soulful-eyed boy with lush, thick eye lashes, places his face into the sea urchin basket, and breathes in the exotic briny scent. He sticks his fingers into the aquatic ooze, takes it to his mouth and is transfixed by the taste. The vendor, oblivious to the thrusting arms of frenzied women, notices the boy and realizes he is the only one worthy of this oceanic prize; he is the one who can “truly taste.” ... READ MORE

Food n Film: JULIE & JULIA

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Food n Film: EAT PRAY LOVE

Food n Film: EAT PRAY LOVE
Six months into my 38th year of this life, I had my first panic attack. I didn't know that's what it was until months later. Symptom after symptom starting piling up on me until there were days I could no longer move my arms or neck. The doctors told me I was suffering from an auto-immune condition that they felt was most likely Lupus. And so began my much deeper journey and exploration into the world of spirit, alternative medicine, yoga, meditation and Eat, Pray, Love. READ POST

Philadelphia Magazine » Blog » Foobooz


With a film like this, food plays a main character in the story and I was lucky enough to get an interview with the film's Food Stylist, Janine Kalesis.READ POST

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In this 2007 film, Keri Russell stars as Jenna - a desolate diner waitress seeking solace in the art of pie-making. Trapped in an unhappy marriage, she’s eager to escape her husband and her small-town hell and sets about to make a run for it by entering an out of town pie baking contest. READ POST


Those of us in attendance were not only given the opportunity to see Babette's Feast, the Oscar winning, Danish film, considered one of the all-time great "food films"; we also got to taste Babette's menu! READ POST


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15 Top Food in Film Flicks

15 Top Food in Film Flicks
Cozy Quilt of Food Movies, we'll add more patches as T &T discovers more films where food plays the biggest "roll"

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About This Blog

is about discovering what I find pleasing in screening & eating - in case you missed it, the name is a play on Tinseltown using the Tines of a Fork.

Feel free to send me info on a film or new restaurant you'd like me to highlight.

Will there ever be a cap on movie prices?

Will we one day pay $20 a pop?

Why don't we pay on a scale?

A crap movie like everything Adam Sandler has ever done should cost about $4.50.
Big action movies like"Lord of the Rings", "Iron Man," "Transformers" are worth $10.
Woody Allen movie or something like "Silver Linings Playbook" $6-$7.
A chick flick or light comedy $5.75 and most Indie Films $5.25.

You could even do it by seasons - all summer block busters from May to August - $10
Sept - November 15th $3.50 - $4
Back to $10 for Thanksgiving and Christmas etc...

Or you can do it by A Actors ($9 - $10), B Actors ($6 - $7) TV actors on the big screen ($3.50 - $4)

Surely I'm not the first person to realize this makes sense. Has it been voted on in the Motion Picture Industry and then vetoed? If so, why?
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