THE PURGE ANARCHY: Quick Chat with Actor Frank Grillo in Philly

Monday, July 14, 2014


Post Update 7/18  

Some of my readers may know I was a huge fan of the daytime soap Guiding Light (click for post) Frank Grillo played an important character on the show (1997-1999) Hart Jessup who was involved with another favorite character, wickedly wonderful Dinah Marler (Wendy Moniz)  I never knew until this week, when I saw a tweet from Wendy Moniz Grillo about The Purge: Anarchy that she and Frank Grillo got married!  Which means they've been together for about 15 years.  I love that :)

In terms of a really quick review of the movie: It's definitely more the mayhem and mass chaos movie I imagined for the original The Purge. This sequel still deals with a core group experiencing this night of deadly sin, but because it's set in the city, and it's not one family, it feels more wide spread.  Frank holds his own as an anti-hero and the tension of the night is kept pretty tight.  The political/social themes of this movie are the same as the first, just expressed in new ways.  

My plus 1 for this movie was my friend David, who agreed with me that the execution of how Americans would react to the institution of a national night of legal killing, is spot on - who would participate, who would be the victims, how the appeal and type of participation would differ based on economics and class. However, he doesn't believe there would ever be a government bent on downsizing the poor, not because of the moral, Godly issue of it, but because our economy he said, would tank; that their must always be a lower income and poverty level in every society to keep the inflation from going even higher than we're currently experiencing.

When I questioned more about why this would be, he said read "1984", which you know I'll never get around to, but comments are always welcome.

On the whole, I'd say I like the original movie better because it had a more Indie, eerie quality this one lacks, but still it's a highly thought provoking and adrenaline inducing flick.  - Le Anne Lindsay, Editor

T&T Lamb Score: 3 outta 5

While The Purge Anarchy is disturbingly violent, that’s exactly how the film’s director wanted it to be. 


By Tinsel & Tine Contributor Christopher “Flood the Drummer®” Norris

For a man who's scared of guns and horror films, Frank Grillo is quite believable as the star of The Purge: Anarchy, which hits theaters nationwide July 18th, 2014. The nearly two-hour, $12 million film tells the story of Leo Barnes, a loner who goes out to seek revenge on the man who murdered his son and encounters a stranded couple and a family who are attempting to survive the night or "The Purge".

 "We made the movie we wanted to make," says Grillo 
who first took to acting in high school, where his favorite role was Biff in Death of a Salesman, "I didn't see The Purge (see T&T post), but I read the script for the sequel and thought this was a great idea." Loaded with violence and guns, Grillo says the R-rated flick directed by James Demonaco is sort of a western and it's pretty violent, but not gory. While the movie isn't intended to provide viewers with a lesson, Grillo admits it made him think, particularly about why America is so violent and obsessed with guns. Maybe the movie won't inspire the same level of thought when you see it, but it'll definitely cause you to flinch a few times... it's pretty damn violent.


 Thanks for reading. Until next time, I’m Flood the Drummer® & I’m Drumming for JUSTICE!™
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About Christopher “Flood the Drummer®” Norris A Philly Drummer playing a Global Beat, Christopher A. Norris is an award-winning journalist, online content producer and professional drummer endorsed by TRX Cymbals. An American businessman, Norris currently serves as the Chief Executive Officer of Techbook Online Corporation, overseeing a strategic initiative of mobilizing local, regional, national and global communities by encouraging the production, safeguarding and dissemination of diversified contents in the media and global information networks. Norris, known on stage as Flood the Drummer®, has launched a campaign to raise awareness regarding the health benefits of drumming.
About Techbook Online Corporation®: Reaching up to 100 million readers a month across channels and platforms, Techbook Online Corporation (TBO Inc), a 2014 Echoing Green Search Partner, publishes socially relevant content that informs, engages, educates, and empowers communities. For more information visit www.techbookonline.com. Source: TBO Inc® Twitter: @therealTBOInc Facebook: /therealTBOInc ©2014 All Rights Reserved. 
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Interview with writer/director Fernando J. Scarpa: DORADUS

Tuesday, July 8, 2014


DORADUS (dəˈrɑːdəs) have you ever heard the word before? What does the sound of it evoke? A person, place or thing? In writer/director Fernando J. Scarpa's new film Doradus, it may be all three.

Doradus (25 min short) had its premiere on opening night of The 7th Annual Philadelphia Independent Film Festival (June 25-29, 2014). Synopsis: Living out of the public eye for years, Hollywood producer Eleonore Donte (Mara New) is still a powerful woman of beauty, class and genius; whose movies are considered a part of Cinematic History. To his great surprise, young TV writer Demitri Christon receives an invitation to Eleonore’s private estate where he pitches his script ‘Doradus’; a story of ghosts. But… does Demitri believe in ghosts? 

The film has a lovely, eerie quality about it. Eleonore's house, a gorgeous mansion (Mara's actual home) is not frightening, instead it has a mysterious, ghostly air, a definite nod to Sunset Boulevard. It would appear this house acts as a gateway to Doradus, a plane of existence between this world and the next.

Le Anne Lindsay, Tinsel & Tine Editor with Filmmaker Fernando J. Scarpa

I got the opportunity to interview Fernando in the lobby of his Philadelphia hotel (The Alexander Inn) following the screening of his film; he was quite excited by the audience's reaction, as this was his first opportunity to watch the film with the public.  I asked him to further explain the meaning behind "Doradus"; there's a lovely rendering in the film of a city reminiscent of Agra in India, created by the story board artist William Lippincott.

The below audio/video allows you to hear the the thoughts behind the origins of this film in Scarpa's own words:


When it comes to shorts, the question most often is, does the filmmaker plan to expand it to feature length? Yes, Fernando is shopping a feature length script, however, what was more interesting to me was his idea for Doradus to be a TV series!

The premise would be Fantasy Island meets The Golden Girls meets The Medium.  In the beginning of the film when the main character Demitri arrives at the house, he's greeted by a table of 5 well-dressed, eccentric, fabulous ladies ranging in approximate age of 45 - 80, these women along with Eleonore, would act as the gatekeepers to Doradus. Every week they would commune with a spirit living in this in-between world who needs closure. Sometimes the ghost may be trying to right a wrong done to them in life, other times they simply want to reach out to a loved one, enemy or someone who had touched their life in some way, to help them set their path straight and offer enlightenment.


Of course, like Fantasy Island, it's not a smooth path, the person lured to Doradus (Eleonore's mansion) for that episode goes through quite a journey, even horrifying at times, but at the end of the episode they've learned more about themselves, life, love, the spirit who brought them there etc...  And interspersed throughout the season more would be revealed about the women of Doradus, and the life they once lived, flashback Lost style.

Okay, let me clarify, I may have interjected a bit more of my own vision for the show than what Fernando and I actually discussed. As you can see, I'm quite taken with this premise, it's the kind of show I'd like to watch, it's the kind of show I'd like to write!

Scarpa did says he plans to present a humorous side to the women of Doradus and create a camaraderie similar to that of The Golden Girls. He said ultimately he wants the audience to want to stay in Doradus rather than leave with the visitor.

Scarpa directing Demitri (Abubakr Ali)

My impression of Fernando was of someone with an infectious energy completely in love with storytelling, no matter the medium. Since graduating from the New School (NYC) he's been able to create a career in the industry which includes an impressive theater resume both in the States and abroad, and presently teaches filmmaking at UCLA.

Tinsel & Tine's talk with filmmaker Fernando J. Scarpa in Philadelphia also included the accomplishments of his students, his teaching style, why directing Romeo & Juliet (earlier this year at the Rossellini Theater in Los Angeles) was on his bucket list, film distribution, and how he met producer/lead Mara New, who seems absolutely favoloso.

Wish I could include it all, but I do hope you'll watch the second video (actual video) below where I ask our signature Philly food question.  I also love Fernando's response to this question: Although directors must be multi-taskers and multi-talented, I think most hone in on one area of their films more than others. Be it the technical aspects, creative shots, lighting and shadows, emphasis on actors/characters or story-telling... What is it for you?
 


Doradus is an Official Selection at both the Downtown Film Festival of Los Angeles (July 9-19) and the Los Angeles Fear and Fantasy Film Festival (Sept 5-9). To keep up with Doradus and the film/tv show's creator, be sure to follow doradusthemovie.com


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OPENING SOON! FOODIE FILM



THE HUNDRED FOOT JOURNEY

Speaks to our brand of Food in Film -

Based on the best-selling novel by Richard C. Morais, Produced by Steven Spielberg and Oprah Winfrey and stars Academy Award®-winner Helen Mirren.

Hassan Kadam (Manish Dayal) is a culinary ingénue with the gastronomic equivalent of perfect pitch. Displaced from their native India, the Kadam family, led by Papa (Om Puri), settles in the quaint village of Saint-Antonin-Noble-Val in the south of France. Filled with charm, it is both picturesque and elegant – the ideal place to settle down and open an Indian restaurant, Maison Mumbai. That is, until the chilly chef proprietress of Le Saule Pleureur, a Michelin-starred, classical French restaurant run by Madame Mallory (Mirren) gets wind of it.


Opens August 8th, 2014

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YOU SHOULD STREAM



THE GRAND BUDAPEST HOTEL

Great to rent/stream - vibrantly colored with colorful characters, fanciful and inventive!

In “The Grand Budapest Hotel,” a charming murder mystery and crime caper set against the backdrop of a troubled Eastern Europe about to head into an era of fascism, Ralph Fiennes stars as Gustave H., a legendary concierge at a famous European hotel who enchants his guests with a renowned hospitality that makes the mountain chalet the destination of the wealthy and affluent in Europe. A new lobby boy (Tony Revolori), the mysterious death of an aged guest (Tilda Swinton) and the disappearance of a priceless painting (Boy With Apple) set off a chain of events that make for a madcap adventure.

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Hot Movie Coming this Fall - ADDICTED

This rather reminds me of one of my favorite movies "Unfaithful"




SYNOPSIS: Based on the best-selling novel by Zane, ADDICTED is a sexy and provocative thriller about desire and the dangers of indiscretion. Successful businesswoman Zoe Reynard (Sharon Leal) appears to have attained it all – the dream husband she loves (Boris Kodjoe), two wonderful children and a flourishing career. As perfect as everything appears from the outside, Zoe is still drawn to temptations she cannot escape or resist. As she pursues a secretive life, Zoe finds herself risking it all when she heads down a perilous path she may not survive.

DIRECTED BY: Bille Woodruff
CAST: Sharon Leal, Boris Kodjoe, Tyson Beckford, Kat Graham, and William Levy
SCREENPLAY BY: Christina Welsh and Ernie Barbarash

#ADDICTED opens in theaters nationwide on OCTOBER 10th, 2014!

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AFRICAN AMERICAN FILM FESTIVAL RELEASING

AFRICAN AMERICAN FILM FESTIVAL RELEASING
Latest distribution from AFFRM - VANISHING PEARLS:Following the 2010 Deepwater Horizon oil spill, Nailah Jefferson's VANISHING PEARLS chronicles the untold story of personal and professional devastation in Pointe à la Hache, a close-knit fishing village on the Gulf coast.

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Spotlight: Philly Phaithful Event

Spotlight: Philly Phaithful Event
I'm moving into West Philly next week from Mt. Airy in an effort to be closer to happenings in Center City and the outlying areas. I'm hoping a shorter commute will allow me to cover more events, events like this one that kicked off my Memorial Weekend. The Philly Phaithful Launch Party for the World Cup Collection by Live, Breathe, Futbol READ MORE

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Glowing Review of Tinsel & Tine by The Bicycle-Chef

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LeAnne started blogging for a class assignment a few years back. In her funny, irreverent style, she was challenged to think of a pithy blog name and she blurted out, Suck My Pretty Toes! For a year or two, she blogged under this moniker, writing about her favorite pastimes, eating and seeing movies. As her audience grew and her hobby became a bigger passion, she changed the name over to Tinsel and Tine Reel and Dine, to reflect her blog's mission. Tinsel being Hollywood, aka, Tinsel Town. And Tine for the tines of a fork. Making it a bit more clever, she rates her food and restaurant reviews on a scale of fork tines; none, one, two, three, four, as a restaurant or the meal deserves...READ MORE

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Philadelphia Magazine » Blog » Foobooz

15 Top Food in Film Flicks

15 Top Food in Film Flicks
Cozy Quilt of Food Movies, we'll add more patches as T &T discovers more films where food plays the biggest "roll"

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Large Association of Movie Blogs

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About This Blog

is about discovering what I find pleasing in screening & eating - in case you missed it, the name is a play on Tinseltown using the Tines of a Fork.

Feel free to send me info on a film or new restaurant you'd like me to highlight.
-tinseltine@gmail.com


Will there ever be a cap on movie prices?

Will we one day pay $20 a pop?

Why don't we pay on a scale?

A crap movie like everything Adam Sandler has ever done should cost about $4.50.
Big action movies like"Lord of the Rings", "Iron Man," "Transformers" are worth $10.
Woody Allen movie or something like "Silver Linings Playbook" $6-$7.
A chick flick or light comedy $5.75 and most Indie Films $5.25.

You could even do it by seasons - all summer block busters from May to August - $10
Sept - November 15th $3.50 - $4
Back to $10 for Thanksgiving and Christmas etc...

Or you can do it by A Actors ($9 - $10), B Actors ($6 - $7) TV actors on the big screen ($3.50 - $4)

Surely I'm not the first person to realize this makes sense. Has it been voted on in the Motion Picture Industry and then vetoed? If so, why?

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